Tag Archives: Waterproof Motorcycle Gloves

  • Lawrence of Arabia and his Belstaff Jacket

    The Legend of Lawrence

    The start of a new year always means the potential for adventure and discovery. No man has adventured further than TE Lawrence, whose intrepid spirit is celebrated here by Rob Ryan

    It is the time of year when we look to the coming 12 months and begin to plan our trips away, perhaps conjuring up something that will challenge us and rise above the humdrum. But what if behind you lies the adventure of a lifetime, impossible to top? This has long been a problem facing those who find fame early in life. Take TE Lawrence, who, as well as being an explorer and archeologist, travelling in some of the world’s remotest regions, had led the Arab Revolt in 1916-18 against the Ottoman Empire. The image of this slight, blond man in flowing robes at the head of a daring camel-mounted guerilla army caught the imagination of the British public and he subsequently had unwelcome adulation thrust upon him. ‘Lawrence of Arabia’ was sickened by war, suspicious of his celebrity status, but, even in peacetime, still craved the excitement and adventure he had experienced in the desert. He found it in motorcycles.
    T E Lawrence on his Borough Superior Motorcycle
    TE Lawrence on his Brough Superior motorcycle chats to George Brough, the creator of the motorcycle widely considered the world’s first super bike

    Post-war, he enrolled anonymously in the RAF, and in 1922 he purchased the first of no less than eight Brough Superiors he would own. He waxed eloquently about the thrill of riding such a machine:

    “Another bend and I have the honour of one of England’s straightest and fastest roads. The burble of my exhaust unwound like a long cord behind me. Soon my speed snapped it, and I heard only the cry of the wind, which my battering head split and fended aside.”

    Lawrence donned Arab garb during his World War I campaign because Bedouin robes were ‘cleaner and more decent in the desert’ than a khaki army uniform. However, for his rides in the UK his tunic of choice was a Belstaff ‘colonial coat’, a very modern-looking (the company has in fact produced an identical replica, the Roadmaster) jacket of triple-layered cotton, with patch pockets, belt and a stand collar. Belstaff has long been the choice for adventurers and travellers of all stripes and this jacket was intended for those making for hostile climes and in need of a versatile, wind- and waterproof garment. Lawrence was not leaving the country, but he was venturing into extreme conditions – he frequently topped 100 mph on his bikes and boasted about losing any chasing policemen on forest roads.

    T E Lawrence in Lawrence of Arabia
    Peter O’Toole starred in David Lean’ Lawrence of Arabia, the story of TE Lawrence’s life. Image courtesy of Rex

    He would have worn the coat to ride his beloved Brough SS100s, Georges II, which he bought in 1924 - the year Belstaff was founded - to George VII, the bike he died on 11 years later (George VIII was still being built when he crashed near his Clouds Hill cottage in Dorset).

    Exactly what happened to cause that accident on a long, straight, if undulating, road on the morning of 13 May 1935, when Lawrence was just 46, has never been fully determined. But Lawrence died - six days after the crash - as a result of doing something he loved: riding a powerful motorcycle. ‘A skittish motorbike with a touch of blood in it is better than all the riding animals on earth, because of its logical extension of our faculties, and the hint, the provocation, to excess conferred by its honeyed untiring smoothness.’ That ‘provocation to excess’ might well have proved his undoing that morning, but, 80 years later, the legend of the fearless, blue-eyed adventurer who conquered the desert lives on.

    Words: Rob Ryan
    Robert Ryan is a writer for The Times and Sunday Times and author of Empire of Sand, a novel about Lawrence before Arabia

  • Belstaff Movie Starring David Beckham

    The Interview


    Sport’s biggest style icon chats to Mr John Lanchester about fatherhood, football and his starring role in Belstaff’s short film Outlaws

    Words by Mr John Lanchester

    These days, Mr David Beckham describes himself as “a driver”. He is only half joking. He takes his children to their four different schools every morning, picks them up every afternoon and cooks them dinner most nights. Appearing on Mr Jimmy Kimmel’s television programme, he claimed that “I’m literally an Uber driver”. I told Mr Beckham that, with two teenagers of my own, I sympathised, but at least we should be grateful that our children can’t summon us by app. He laughed and said: “It would be game over”.

    However, Mr Beckham doesn’t have an Uber driver’s typical CV. In the first decade of this century, the president of Real Madrid football club set out to assemble a squad of “galácticos”: football players who were so famous that they would be recognisable not just anywhere in the world, but throughout the entire galaxy. (I’m using “football” in the global sense of the term to refer to the game that in the US is called “soccer”.) The idea was that you could get into a taxi anywhere in the world, from Beijing to Johannesburg or Sydney to Oslo, and the cab driver would be able to name five or six players from the Real Madrid team. Once the policy was announced, it was clear that Real Madrid would eventually sign Mr Beckham as he was already one of the most famous footballers, and most recognisable faces, in the world.

    He moved to Madrid in 2003, and since then his celebrity has only grown. It helps that he is as good looking today, at 40, as he was when he first started playing for Manchester United in his late teens. It also doesn’t hurt that he is married to Mrs Victoria Beckham, the former Spice Girl (Posh Spice) turned respected fashion designer. Some observers have given her credit for his interest in fashion, but the fact is that Mr Beckham’s engagement with style predates their relationship. The earliest photographs of him in youth football teams show him as the one with distinctive – usually spiky – hair. The Class of ’92, a documentary about the 1992 Manchester United youth team showed him customising a sponsor’s donated car and being teased about it by the other players, and he clearly did not mind. He likes things the way he likes them.

    Footballers are conservative and conformist about their style – the “banter” culture of the dressing room puts a heavy premium on not being different. Mr Beckham never subscribed to that. I asked him where this passion came from.

    “I don’t wake up in the morning and think I’m going to wear this today, I just go out in what I feel comfortable in”

    “I actually don’t know,” he said. “My dad definitely wasn’t into style. He was dressed all right, but he was never into fashion, even though he was a mod back in the day. He had an amazing Vespa that got nicked outside my gran’s house. But I don’t know where it came from. It was there even at a young age. I was a pageboy when I was really young, and I had a choice of whether to choose a suit or knickerbockers - and I chose knickerbockers.”

    Those knickerbockers were not the last time Mr Beckham made a distinctive or controversial fashion choice. He has gone out in public wearing a sarong and he has 40 tattoos; several of them visible when he is fully dressed. His beard, which is neatly trimmed on the day we meet, has at times a lavishness that is part-hipster, part-Duke-in-exile. By his own admission, when he was in Spain, “I kind of had a mullet going on”. As he himself says with a grin about his sartorial choices, “It’s not always been right”. He clearly – and robustly – doesn’t care and isn’t going to stop. “I don’t know… The style thing, it’s not something I do on purpose, I don’t wake up in the morning and think I’m going to wear this and this today, I just go out in what I feel comfortable in.”

    “With the way men dress, there are rules… but rules are made to be broken and I think I’ve done that over the years”

    I’m reluctant to leave it there, because his appearance has done a lot to make him what he is today. Most men who are famous for style or fashion have a look; a distinctive way of dressing. Mr Beckham doesn’t as he, himself, is the look. I mention to him the idea that male dressing is based on rules, expecting him to not agree. He half-does and half-doesn’t.

    “I think it’s important for people to have their own sense of style – a personal style. I think there are certain rules, especially when you’re English, because you’re brought up on ‘this is how a gentleman should dress’. If you’re lucky enough to be able to afford it, you can go to Savile Row and have a suit made, or you can go and see how people dress. We’re brought up around that. I think we’re lucky to have that. In that sense of fashion, and the way men dress, there are rules. But I do also think that rules are made to be broken and I think I’ve done that over the years, in good ways and in bad ways. But I’m having fun and I wear what I like to wear: I don’t get told what to wear. It’s always important to have your own mind.”

    His interest in style is apparent in what he’s been doing on the day we meet: taking part in a fashion shoot to accompany the release of a new short film, Outlaws, made in partnership with Belstaff. The film is written and directed by Mr Geremy Jasper. The executive producer is Ms Liv Tyler, partner of Mr Dave Gardner, Mr Beckham’s closest friend since their days in the Manchester United youth team. "Cinephilic" Mr Porter readers might compare Outlaws to Ms Marianne Faithfull’s film Girl on a Motorcycle, except with Mr Beckham wearing the leathers. Mr Harvey Keitel plays a maniacal film director who is bent on revenge, Ms Katherine Waterston is a trapeze artist, and there are conjoined twins, evil bikers, a bearded lady, and much footage of Mr Beckham zooming across the Mexican desert on one of his beloved motorcycles.

    The news about Outlaws, and the fact that Mr Beckham is appearing in Mr Guy Ritchie’s upcoming film about King Arthur, has led to excitable speculation that acting is his new goal in life.

    “Acting is not my new career, it’s just fun, it’s not something that I’m training to be better at”

    “I saw an article the other day that said this is my new career, and it’s really not,” says Mr Beckham. “It’s something that I’ve dipped myself into from time to time, but I only did it for a friend, Guy” – Mr Guy Ritchie. “I did a small bit in The Man from U.N.C.L.E., and I’ve done little bit more for him in [Knights of the Roundtable:] King Arthur, and then obviously there’s what we’ve done with the Outlaws. But it’s definitely not my new career, it’s just fun, it’s not something that I’m training to be better at.”

    That’s a revealing way of describing an ambition – something you train to be better at. Not many celebrities talk like this. Mr Beckham’s air of glamour might make him seem a show pony, but his football was based on high work rate and long hours of off-screen effort. A large part of his fan appeal was, and is, in that combination of his looks and talent with his appetite for hard work.

    Mr Beckham retired from football in May 2013, after a spell at Paris Saint-Germain F.C. Most recently retired athletes have a loss around them and it is there, very faintly, around Mr Beckham, too. He and his advisers have prepared thoughtfully for the transition, though, and he is clearly busy. He has business and entrepreneurial projects; he has a plan to start a major league soccer team in Miami. He works hard for 7: The David Beckham UNICEF Fund, a charity initiative that grew out of his work for UNICEF, focusing on projects in seven global areas where life is especially difficult for children. Mr Beckham calls this his “main focus” now – I’ve already heard from a source at UNICEF about how much work he does for now.

    But it’s impossible to miss that the central focus of Mr Beckham’s life now is his own children. His face changes when he talks about overhearing his son’s Brooklyn’s art teacher praising him (“all of a sudden, I realised I had to walk away, I was getting emotional”) or how Cruz said: “Daddy, can you teach me how to make a croque-monsieur?” When I ask him whether he teaches his boys about style, he instantly says: “They teach me now.”

    This might seem a matter of importance only to the Beckhams, but there is more to it than that. Mr Beckham is in essence a shy and private family man, who also happens to be one of the most famous men in the world. That combination could be his real legacy. Fatherhood has changed. Fathers have to do more than they used to. There aren’t enough role models for this modern kind of male parent: the hands-on one who bears his share of the ordinary daily work of parenting. We need to see more of that – I mean to really see it – in the lives of the rich and famous. Mr Beckham, who is one of the most admired, best-looking and richest men in the world, can’t think of anything he’d rather do than spend time with his children. It is, unarguably, a good look.

  • Belstaff David Beckham Line.

  • Barbour Honors Steve McQueen on his 85th Birthday.

    Steve McQueen: The Legend Lives On

    On March 24th we are celebrating a day which would be the 85th birthday of Steve McQueen: the actor and motorcycling legend that inspired a collection for Barbour International.

    March 23rd 2015

    A true icon for motorcycling culture, Steve McQueen has long inspired the Barbour International brand - with a continuous collection showcasing his legacy each season.  With 24th March marking what would be his 85th birthday; we are celebrating the life of a legend who shaped the popularity of Barbour International.

    Although McQueen leapt to fame as an actor in some of the biggest movies in Hollywood, he was well known for his love of adrenaline filled sports – in particular motorcycle racing.

    “I’m not sure if I’m an actor who races or a racer who acts” – Steve McQueen

    Steve McQueen’s association with Barbour dates back to 1964, when he famously raced in one of the most iconic off road motorcycling events of the time: the International Six Days Trial.   ­­­On route to the trials (which were held in East Germany) McQueen and the rest of the US motorcycling team stopped off in London to pick up a Barbour International Suit for the race.   A race that required each rider to cover 200 miles a day, the ISDT was noted as one of the most challenging in the world.  Steve McQueen and the US team were among the first to recognise the waxed Barbour International Suit as the best defence against the huge amounts of rain and mud encountered during the race.

    With Steve McQueen an idolised figure worldwide, the Barbour International suit became almost standard choice for many racers over the years – with 70% of participants wearing Barbour International during one year.

    With the success of the International Six Days Trial as inspiration, in 2011 we combined McQueen’s effortlessly cool style with the spirit of Barbour International to launch the first Steve McQueen Collection.   The collection has continued each season and is now in its 5th year of acting as tribute to one of our most famous and influential fans.

  • A Biker and his White T-Shirt.


    Strength in Simplicity:
    The White T-shirt

    Ever since Marlon Brando and James Dean burned their way both onto the big screen and into popular cultural consciousness in the early Fifties, the white t-shirt and jeans look has been synonymous with the Hollywood rebel.

    Brando came first with A Streetcar Named Desire (1951) and The Wild One (1953) before Dean confirmed the trend in Rebel Without A Cause (1955). Between them, these leading men changed the perception of what was cool.

    The plain white crew-neck t-shirt and jeans ensemble became a timeless classic, immune to the shifting tides of fashion, conferring immediate personality on its wearer without him having to do or saying anything – just as the suit does at the business end of the sartorial spectrum.

    Jeans and t-shirts are everyday casualwear now, but until the Fifties, this look was very much a working-class signifier. Only men who did manual labour – who worked on construction sites or tinkered with engines – wore denim and stripped down to reveal their undershirts. Then, in the wake of World War II, a wave of soldiers returned wearing their army-issue white t-shirts as outer garments, as a symbol of manhood, of getting things done, of strength and industry.

    Inspired by those pioneering pin-ups for a new generation, Brando and Dean, Fifties kids began to go against the prim-and-proper Sunday-best suits and dresses of their parents’ generation. For the first time dressing down was cooler than dressing up. The teenager was born – and the t-shirt was their uniform. Each tribe could interpret the blank canvas of a white tee for its own purposes. Beatniks like Jack Kerouac wore them to show their disdain for proper society – as did greasers and bikers and rock’n’rollers.

    But more than anyone, Dean was the Hollywood poster boy for this new movement, especially after his tragically early death in 1955, aged just 24. The trailer for his final film, Giant, released posthumously, calls him ‘the star who became a legend, who spoke for the restless young as no one has before or since’. That description – and all those nonchalant, defiant images of him that live on – still holds up 60 years later.

    Other icons soon followed. Elvis Presley idolised Dean, appropriating elements of his look – not least the workwear – and took up acting in an attempt to follow in his footsteps. Later, John Travolta in Grease and Henry Winkler as 'The Fonz' would also give this rock’n’roll rebel look the thumbs-up.

    US actor Steve McQueen
    US actor Steve McQueen (R) takes a break during the international motorcycle race "Six Days" at Erfurt, German Democratic republic (GDR) in 1964. McQueen rode a Triumph with the number "278". Photo: Dieter Demme/Alamy

    In 1955, the photographer Eve Arnold captured a young, enraptured up-and-comer in the Actors Studio – the only one in the audience dressed casually in jeans and white tee. His name: Paul Newman. Throughout the Sixties and Seventies, Newman and Steve McQueen were the custodians of cool. Men wanted to be them; women wanted to be with them. And almost every photograph taken of them is afforded an ageless quality by the simplicity of what they’re wearing. Their look is as fresh today as it was back then. Just ask David Beckham.

    Importantly, young women also embraced the liberating casualness of jeans and tees. Some of the most iconic and photographed stars in the world – from Grace Kelly and Brigitte Bardot to Sophia Loren and Marilyn Monroe – helped to feminise this look. And modern-era rebels such as Kate Moss and Lana Del Rey keep it alive today.

    Just as a well-cut tee can flatter the well-upholstered male frame – think Clint Eastwood in Every Which Way But Loose (1978) or Ryan Gosling in Only God Forgives (2013) – so contour-hugging cotton tucked into high-waisted jeans helps to accentuate a woman’s hourglass figure.

    The white-tee-and-jeans combo was, is and always will be a visual shorthand for free-spirited youth and rebellious cool.

  • Belstaff Partners in New Motorcycle Film.


    After a successful world premiere at the 2014 San Sebastian International Film Festival, “The Greasy Hands Preachers” makes it’s worldwide debut. Belstaff is proud partner of the documentary film, executively produced by Orlando Bloom. The film explores a modern day return to manual work through the passion of motorcycle enthusiasts around the world, shot entirely on Super 16mm.

    WATCH THE FULL FILM NOWShot across California, Utah, Indonesia, Spain, Scotland and France, filmmakers Clement Beauvais and Arthur de Kersauson capture mechanics and custom shop founders as they try to understand the difference between manual and intellectual work. “The Greasy Hands Preachers” explores the unique satisfaction that results from doing something tangible, the sense of time, the relation between the form and the function, the joy of riding in a beautiful landscape and the community and friendship that motorcycle creates. For that, Belstaff is honoured to support and represent such a passionate and free-spirited collective.

  • These Boots are made for Riding..


    A walk on the wild side:
    biker boots

    In 1953, on the release of The Wild One, Johnson Motors, US importers of Triumph motorcycles, protested at its product being linked with Marlon Brando and his Black Rebels. However, the association has served them well – sixty-two years after it was released, the film is iconic and continues to encapsulate the image of rebellion. From the opening asphalt-level shot of the road to the palpable ennui of Brando’s character Johnny Strabler, it captures a strand of cool that has lost none of its power in the intervening six decades.

    The Wild One, Marlon Brando
    The Wild One, Marlon Brando, 1954. Photographer - Everett Collection/REX.

    Motorbikes remain cool, Triumph bikes remain cool, aviator shades remain cool, blue jeans remain cool, black leather jackets remain cool and, crucially, biker boots remain cool. But, of these elements, it’s the bikes and the boots that remain immune to the dilution that affects most of youth culture’s totemic items. Both bikes and boots require a level of commitment that separates the men from the boys: any man can wear jeans at the weekend; it takes a bit more to ride a bike. The boots that Brando wore in The Wild One, and which formed the blueprint for biker boots, are the classic American engineer model, with stacked heels and long straps.

    Only two elements in the film have dated. The first, and most obvious, is the music. The jazzy score by Leith Stevens and Shorty Rogers seems jarring now jazz has been largely drained of its rebellious connotations – the American composer Elmer Bernstein once observed that jazz was only employed in movies ‘when someone steals a car’. Motorbike gangs, and the biker boots they wear, are now indelibly associated with rock’n’roll, and it’s an association that runs both ways. Over the years, rock musicians, including Iggy Pop, have taken as much credibility from biker boots as they’ve given back. The second element that has dated is the cut of the clothes. To our contemporary eyes, Strabler’s denim looks rather loose – and biker boots look best with slim jeans.

    This is partly down to the way the bikes have developed over the years. While big American motorbikes (and it always comes back to the bike) lend themselves to big chunky boots, lightweight European bikes call for something sleeker. As a result, classic British boots work particularly well with slim jeans, as is frequently demonstrated by rock musician and Kate Moss’s husband Jamie Hince. By pairing the boots with slim jeans, a tight t-shirt and a battered leather jacket, he follows in the footsteps of musicians going back to the punk era. One of the appealing things about biker boots is that, unlike sneakers, they cannot be co-opted into a formal outfit. The image of biker boots is too potent to be watered down.

    The world Johnny Strabler rebelled against is fading in the collective memory, even if his image persists, but a half-century after The Wild One instigated one epoch of youthful rebellion, the 2006 film V For Vendetta captured the new mood of post-millennial protest and activism. Its dark backdrop owes nothing to Johnny’s America, yet some of the symbols used to indicate the central character’s outsider status are the same – Hugo Weaving’s iconic character, V, wears Belstaff’s Trialmasters, proving that biker boots still retain their currency as signifiers of cool.

  • Style Martin Legend Boot added to BMG Line.

    Style Martin Legend Boot Black Style Martin Legend Boot Black
    Style Martin Legend Boot Brown Style Martin Legend Boot Brown


    The Stylmartin Legend R Boots combines elegant design with exceptional comfort and protection. Underneath the full grain leather lies a waterproof breathable lining combine with an internal PU malleolus protection of both sides. The Legend feature an Italian Eurosole for all-day comfort and very long wear life. These boots will look great on any classic bike and are a must-have for anyone wanting a classic look.

    Legend R are made with natural tan full grain leather. The leather will lighten with use through brushing or bending it, gaining a unique coloring with a vintage effect, which enhances the classic dark brown color.


    • Zipper and strap fasteners
    • Anti-slip, oil proof and wear resistant sole
    • Antex breathable waterproof membrane
  • Barbour Lamswool Scarf and Gloves Gift Box

    scarf glove gift


    Barbour Scarf and Glove Gift Box Keep the cold at bay with this luxury gift set which includes a sumptuously soft, lambswool scarf in Barbour’s classic tartan as well as a pair of lambswool gloves which make the perfect combination. The scarf and gloves are displayed in a Barbour gift box which makes this ideal to give as a present. Goes great with Halcyon Goggles and a Barbour International Jacket for that authentic Cafe' Racer Look.    $99.00

  • The Belstaff Donington Jacket

    Belstaff Donington


    This Belstaff Donington  Jacket is part of the Belstaff Pure Motorcycle collection


    • Made from full grain naturally tanned, drum-dyed bull leather
    • Leather thickness: 1.0 - 1.1mm
    • Corduroy internal collar lining
    • CE approved removable soft protectors on shoulders and elbows

    Inner Structure:

    • Detachable quilted jacket with 120g padding on the body and 80g on the sleeves


    • Removable protectors meet the requirements of European directive 89/686/CEE and of CE Technical standard EN 1621-1:2011


    • Pocket for back protector (Protector not included)
    • Upper pockets with flaps and snap closures
    • Lower jet pockets with metal zip
    • Inside facing jet pocket with coil zip
    • Inside lining patch pocket with Velcro closure


    • Quilted reinforcements on shoulders, elbows and back
    • Contrasting stripes across the chest and along the sleeves
    • Adjustable snaps on waist
    • Ventilation openings on back
    • Embossed logo patch on left sleeve
    • Inside waist stretch panel with heavy-duty zip for trouser attachment

    The Belstaff Donnington Jacket

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